User:Brebre143/HUMN 4472 Journal

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August 18, 2019: Science Fiction

Science fiction is a type of literature or film that usually has imaginative details. This can include time travel, fictional worlds, parallel universes, etc. Some of the most common science fiction is Harry Potter, Star Wars, and Star trek. The most well known television station that is dedicated to science fiction films is the SyFy network.

Hi Brebre143! I'm a fellow student in this class. Still figuring Wikipedia out, so I hope this works. I like that you mentioned parallel universes in your post--that's a favorite trope of mine too. Good luck in the class! --MorganAtMGA (talk) 00:33, 22 August 2019 (UTC)

August 20, 2019: What I learned about Sci-Fiction

While reading some of the articles and watching videos about Science Fiction, I learned that there are various ways that people define what Science Fiction is. Ursula Le Guin describe science fiction as "a literary tradition, a genre of fiction like realism".[1] Another thing that I learned from watching the video "The Truth about Science Fiction" is that many of the things that were predicted and written about in Science Fiction novels have actually come true such as Robots and Airplanes.[2] Lastly, I learned that Science Fiction became popular in the 1920s, thanks to "the genre’s principal advocates, the American publisher Hugo Gernsback"[3] This led to the Hugo Awards, where achievements are given to Science Fiction writers, directors, films, etc.

@Brebre143: But Le Guin shows how sf goes beyond realism. How? (I would suggest this is the important part.) —Grlucas (talk) 08:05, 31 August 2019 (EDT)
@Brebre143: Hello, I enjoyed reading your post. I have never heard of the Hugo Awards. I will have to check it out. I liked how your post was structured and flowed seamlessly. I will have to agree on science fiction becoming real life. For example, the vacuums that move around on their own to clean. No one would have thought about that if it wasn't for movies putting the idea out there. TSmith2020 (talk) 00:57, 7 September 2019 (EDT)
@Brebre143: After through all the definitions, which one resonated with you the most? 21:58, 8 September 2019 (EDT)

August 30, 2019:Journal about "The Swimmer"

With this journal entry, I've decided to look at some aspects from John Cheever's "The Swimmer". One thing that stood out to me in this short story was the theme of time passing. At the beginning of the story we are introduced to the protagonist that goes by the name of Neddy Meril. He is described as a man who is slender and exudes youth though being far from it. He is depicted to be cheery and habitually sliding down his banister for a swim daily. He sees himself as an explorer, making it his mission to swim in all of his neighbors pools while he sees it as a travel across the country. As he begins to make his pit stops, alcohol always seems to be involved at every stop. First he is offered a drink, but then each stop turns into him asking for a drink. A few drinks in, he realizes that one of his neighbor's house is completely empty, which leads him to ponder of when they left as he could've sworn he had just heard from them recently. This continues to happen with every pool he takes a dip in. I started to notice that each time he made a stop to get a drink the more things in his environment would change, and his neighbors started to respond differently. The one that stuck out to me the most was when he stopped by Mrs. Halloran's house,

"We've been terribly sorry to hear about all your misfortunes, Neddy."

My misfortunes?" Ned asked. I don't know what you mean."

"Why we heard that you'd sold the house and that your poor children ... . "

"I don't recall having sold the house," Ned said, /and the girls are at home."

Yes" Mrs. Halloran sighed. "Yes .... " Her voice filled the air with an unseasonable melancholy."[4]

This shows that there has been time that has passed that the protagonist doesn't seem to remember. At the beginning of the story it is noted that he slid down the banister of his home, and now the neighbor is speaking about how his home was sold and mentioning an event that happened involving his children.

It is also worthy to mention that each time he gets out of someones pool, he progressively has a harder time getting out, signifying time passing and him getting older. The ending really pulls the whole story together when Neddy at last goes to his mistresses house asking for a drink in which he is denied. In this moment is where you see true emotion from Neddy "It was probably the first time in his adult life that he had ever cried, certainly the first time in his life that he had ever felt so miserable, cold, tired, and bewildered." (9)[5] He stumbled to the driveway of what was once his home, and realizes that his wife and children are gone, his bed is gone, the garage to had rusted, and the doors were locked. He finally realizes that his home is empty and he has nothing left. The article that I found did a great job of going into detail with the themes and motives that were being portrayed in the short story. The article touched on the theme of the passage of time and stated "Neddy lives in a world of denial and his act of repressing painful events has led him to lose track of time. But as we all know, time eventually catches up with us, and throws reality into our faces when we least expect it. This is seen through the quick changing of the seasons and the seemingly sudden aging you see in Neddy."[6]

@Brebre143: Neddy Merrill can also be described as "childlike" or "immature" because of his carefree attitude. He spends the majority of his time with friends, drinking alcohol, and swimming. Neddy is living in this alternate reality where the events have already taken place, but he is still living in the past. I do not see Neddy as aging every time he gets out of the pool. I think the times passing by every time he gets out of the pool is the alcohol wearing out of his system. With the alcohol wearing out, he is becoming more coherent to his surroundings. Cheever mentions Neddy on the highway being ridiculed with him wearing only swim trunks in the autumn standing in the median. The changing weather and the missing neighbors brings him into a bit of sobriety causing him to realize that his alcoholism has destroyed his reputation, social life, wealth, family, health, and sanity. MarinChristina (talk) 19:07, 1 September 2019 (EDT)
@Brebre143: For this journal, I did not focus on "The Swimmer," but I found your response on the story to be very interesting. I did not interpret Neddy's struggle getting out of the pool as time passing and him getting older, yet that makes so much sense. You really critically analyzed the story, which makes me want to read the story again.--Daisja30 (talk) 18:48, 8 September 2019 (EDT)
@Brebre143: Some thoughtful observations here. You needn't use parenthetical citations if you footnote. I fixed some formatting issues here. Be sure to proofread, and it would be nice to respond to your comments. —Grlucas (talk) 16:01, 9 September 2019 (EDT)

September 3, 2019: Journal Post 4

When reading "The Swimmer", I felt that it was little easier to follow and figure out what the themes were in the story. With La Jette, it was a little more difficult to follow which resulted in me having to watch it again and read some analyses of it. When I grasped a better understanding of the film I realized that the one thing that the short story and the film both had in common was the theme of time and change. In The Swimmer, the theme of time and change took place in the fact that Neddy had so much alcohol in his system that he was not aware of the things that were taking place, and how fast time was moving from the time he came down his stairs to get coffee at the beginning of the story to him standing in his house window to see that it was empty at the end of the story. In La Jetee, time and change is taking place when the protagonist's jailers send him to the past to meet the woman he always remembered and when was visited by the people of the future who offered to help him escape to their time.

Both the film and the short story did a great job in immersing the reader in the mind of the protagonists. La Jetee did so in a way that was best described in an article that I found stating "The film consists almost exclusively of still photographs which are used to animate this short film. This photo-roman technique combined with the narrator’s sparse monologue creates an ethereal atmosphere within the film."[7] The film also had background noises of the jailers speaking and you could also hear the heartbeat of the protagonist while he was being sent into the different time realm, giving the true feeling of what taking place during that time. In "The Swimmer", we are able to feel what the protagonist is feeling by the vivid descriptions of what was taking place and what he was feeling at all time. This helped really show the theme of time and change in this short story.

@Brebre143: It should be "The Swimmer" and La Jetée. Please review "Writing in the Liberal Arts." —Grlucas (talk) 16:04, 9 September 2019 (EDT)

September 11, 2019: Journal Post 5 "Blink"

In the Doctor Who episode "Blink", the theme of time travel was very prevalent. There were some things regarding time travel that stuck out to me, such as how everything in the episode was connected to each other somehow. Another aspect that stuck out to me was how the fourth wall was broken in this episode, which I'll continue to discuss these matters below.

Time is connected

The entire episode "Blink" was based around how Sally Sparrow was chosen to stop the Angels from getting to the time travel box and gaining more power from it. Each character played a role in being the puzzle piece to help Sally, but there was one character that stuck out to me the most, and that was Billy Shipton. When Billy came in his older self to tell Sally how to stop the Angels, Billy mentioned that he married a girl whose name was also Sally. This stuck out to me, because when Sally's friend Kathy wrote her letter to Sally, she mentioned that she named her daughter after her. This came across as it could be Kathy's daughter Sally who Billy was married to. One thing that supports this was that The Doctor kept mentioning how time was all connected and time was not linear, and since both Kathy and Billy had some type of connection to the Wester Drumlins house, this could be possible the Kathy and Billy's Sally are the same person since time is all connected.

Fourth Wall

The next aspect that stuck out to me was how the fourth wall was broken throughout this episode. The Doctor made it very clear that when you are in the presence of the statues, it is vital not to blink and not to turn your back. The audience is connected to this warning as well. Each scene that the Angels are visible to the audience they are still and usually in the weeping position, indicating that they are trying not to look at you because we are looking at them. When Kathy's brother and Sally are back in the Wester Drumlins house, the Angels that are not in our view are shown moving around in the next room from their shadows. This is also seen when the Angels are following them to the time travel box, and every time the light turns on the statues are still and in a different position than previously.

September 13, 2019:Journal Post 6 "Blink" & "The Gernsback Continuum"

One thing that "Blink" and William Gibson's "The Gernsback Continuum" have in common is the idea of a 'continumm'. According to Dr. Andrew Wood's criticism of "The Gernsback Contiuum, "The 'continuum' refers to a conceptual space, an alternative universe that exists alongside our own - and occasionally intersects with our 'real' world. " [8]. With the understanding of what a continuum represents, I realized that Dr Who's "Blink" could also be described as a continuum. In "The Gernsback Continuum", the narrators continuum is this view of a futuristic world. He never noticed these images until he spoke to Dialta Downes, who spoke about how she likes to view architecture for her photography. Ever since their conversation, the narrator started having images that tied into his daily life "And looked up to see a twelve-engined thing like a bloated boomerang, all wing, thrumming its way east with an elephantine grace, so low that I could count the rivets in its dull silver skin, and hear-maybe-the echo of jazz." [9]. The images of a futuristic world that the narrator was seeing was the alternate universe of what America would be like if the futuristic goals were fulfilled.

The idea of a 'continuum' was seen in the episode "Blink" during Sally Sparrow's mission to stop the Weeping Angels. Her version of a continuum was the constant time travel that took place between The Doctor, Billy Shipton, & Kathy Nightingale. They all had some contact with Sally in her present reality, while they were still in the past and or future. The time travel existed alongside her own reality to help her get the clues to stop the Weeping Angels. The best example of this was seen at the ending scene of the episode where Sally see's her reality of 'present day' The Doctor, while when The Doctor see's Sally his 'present day' is actually the past which is why he does not recognize Sally when she confronts him. Even though both works of art were different examples of a continuum could be, they both give insight of how this idea can take place.

References

  1. Le Guin, Ursula (1993). The Norton Book of Science Fiction. New York and London: Norton and Company. p. 21.
  2. "The Truth about Science Fiction". Retrieved August 18, 2019.
  3. Bruce Sterling. "Science Fiction". Retrieved August 18, 2019.
  4. Cheever, John (1964). The Swimmer. Boston: Bedford/St.Martins. p. 7.
  5. Cheever, John (1964). The Swimmer. Boston: Bedford/St.Martins. p. 9.
  6. Rashmi Sunder. ""The Swimmer" by John Cheever: Summary and Analysis". Retrieved August 30, 2019.
  7. Chris Marker. "Andy's Anachronisms - Time Travel Movie Reviews". Retrieved September 3, 2019.
  8. Dr. Andrew Wood. "Making Sense of the Gernsback Continuum". Retrieved September 11, 2019.
  9. Gibson, William (1981). Ursula K. Le Guin & Brian Attebury (ed.). The Gernsback Continuum. New York: W.W Norton & Company 1993. p. 460.